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Reviews

AWARDS

WINNER UNTAPPED AWARD 2022

CALIGARI

 

WINNER COMPANY ENSEMBLE - OFFIES 2022

DJ BAZZER'S YEAR 6 DISCO

WINNER INNOVATIVE PLAY - London Pub Theatre Awards 2021

TETHERED 

 WINNER OFFCOM Short Run Award 2021

TETHERED 

WINNER IYAF: BEST THEATRE

BRIGHTON FRINGE 2019 - EUAN

NOMINATED STANDING OVATION AWARD - LONDON PUB THEATRE

DJ BAZZER'S YEAR 6 DISCO

NOMINATED BEST ACTOR - OUGHT TO BE CLOWNS AWARDS

DJ BAZZER'S YEAR 6 DISCO

NOMINATED BEST DIRECTION - DARKCHAT AWARDS

CALIGARI

LONGLISTED BEST EDITING - NYAF

THE ZIZZ

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Praise for THESE WORDS THAT'LL LINGER LIKE GHOSTS TILL THE DAY I DROP DOWN DEAD

Pleasance Theatre London

 2023

Note: Please click on the publication’s name to see the full review. 

★★★★★ 

“A heartbreakingly honest exploration of how we deal with those things we’d rather sugar-coat.”

Everything Theatre

★★★★ 

"An astonishing piece of theatre."

The Reviews Hub

★★★★ 

"It’s powerful, its truthful and like all great theatre makes you question your place in society today."

Theatre News

★★★★ 

"a heartrending exploration of grief, loss, and regret."

Theatre Bee

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Praise for CALIGARI

New Diorama Theatre | Edinburgh Fringe Underbelly

 2022

Note: Please click on the publication’s name to see the full review. 

★★★★★ 

“I love actor-musician shows, and this is one of the best I've seen.”

ThreeWeeks Edinburgh

★★★★ 

"This is expressionism with moments of full, glorious colour."

The Scotsman

★★★★ 

"Caligari impressively blends tones of brooding unease with a welcome sense of levity and musicality, transporting us into a moody expressionist world filled with unsettlingly ghoulish parallels to our contemporary society."

CultureFix UK

★★★★ 

"The cast and music are impeccable."

DarkChat

★★★★ 

"Enormously entertaining, visually impressive and socially challenging."

Everything Theatre

★★★★ 

"A charming adaptation of a legendary film. "

The Wee Review

★★★★ 

Pick of the Fringe

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Praise for DJ Bazzer's Year 6 Disco

Golden Goose Theatre | Riverside Studios | Godalming College | NSDF

2021 - 2022

Note: Please click on the publication’s name to see the full review. 

★★★★★ 

“A piece of precision, pace and power.”

The Review Chap

★★★★

“A nostalgic love letter to music and loneliness.”

London Theatre Reviews

★★★★

“A must see.”

Theatre News

★★★★

“ChewBoy Productions are a refreshing, upcoming company, and it’s clear to see why so many are already enjoying their work” 

Everything Theatre

★★★★

“Sunderland perfectly embodies his character as created through Bailey’s excellent script”

London Pub Theatres

★★★★

“The only negative is that you’ll be left wanting more”

The Beaver

★★★★

“A wonderfully tender play about finding our place in the world”

London Theatre Reviews

★★★★

“Gloriously funny and thought-provoking”

View from the Outside

“Gently immersive and quietly heartbreaking.”

There Ought to be Clowns

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Praise for Tethered

Lion and Unicorn Theatre 

July 2021 

★★★★★ 

“A laugh-out-loud surreal comedy...with layers of nuance which leave the audience questioning who they are.”

London Theatre 1

★★★★★ 

"ChewBoy really are at the top of their game."

Everything Theatre

★★★★★ 

 “ChewBoy Productions are once again on top form - funny, clever, inventive and original.”

The Review Chap

★★★★ 

“An engrossing play which successfully builds on a history of performance to create something new and exciting.”

London Pub Theaters

★★★★ 

“An alternative production with tightly scripted dialogue. An extremely clever example of new work that theatres can be proud to host.”

Elaine Chapman

★★★★ 

“This is the sort of theatre you can fall in love with.”

View from the Outside

Hidden Gem 

“They’re a formidable team. A gem. Catch it while you can.”

Fringe Review 

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Praise for Previous Works

★★★★★ 

"ChewBoy Productions are a theatrical force to be reckoned with." 

The Review Chap (EUAN 2018)

★★★★ 

“The one-hour running time flew by and there were many genuine laugh-out-loud moments.”

LondonTheatre1 (EUAN, 2018)

★★★★

 “Brave, baffling and brilliant to boot.”

Broadway Baby (EUAN, 2018)

★★★★ 

 "EUAN could soon be following Fleabag’s footsteps as a fringe show turned masterpiece.” 

Voice Magazine (EUAN, 2019)

★★★★ 

"Wonderfully avant-garde, open to countless different interpretations."

Everything Theatre (THE PROCESS TRILOGY, 2019)

★★★★ 

 "An ambitious, unique company unafraid to embrace the delightfully weird."

Movie Burner (THE ZIZZ, 2021)

★★★★

 “a breathless surrealist caper that is sustained by its own unimpeachable internal logic”

Spy in the Stalls (EUAN, 2019)

★★★★ 

“Downright bewildering, but also bloody brilliant.”

Views from the Gods (EUAN, 2019)

★★★★

 "Even when dealing with incredibly weighty issues, the approach is one that is adept in its addition of comical charm and whimsy"

Miro Magazine (THE PROCESS TRILOGY, 2019)

★★★★ 

 ""dark, ridiculous and brazenly charming, EUAN is a truly peerless invention”

BN1 Magazine (EUAN, 2019)

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